ion), and other producers from the X-men movies, I believe. The VP Production contacted me a few months back and asked if I was interested in a job for coloring a bunch of pencilled work. However, after I showed him some mock-ups of some of my own ideas, he gave me liberty to paint it in my own style, and change anything I wanted. Initial compositions were emailed from a penciller who works for DC comics, I believe, named "Talent Caldwell". He's a great guy. Love his stuff.
In any case- I've done some freelance work before, but nothing to this scale. I was also supposed to work on an actual comic-book instead of just these pieces, but according to their financial standing at the moment- the book is on hold until further notice . Anyway, here goes nothing! Let me know what you guys think.
I can't disclose the script stuff, but I was asked to post what I did up online for promitonal purposes- both for myself, and the movie.
All of the following work is copyrighted by Nathan Reid & Untitled Pictures LLC.
(Images range from 5-10 hours each.) I was also under strict order to follow the compositions . I would have liked to change alot of things, but... it's what the producers wanted.
Very nice series! Not working exaxtly as you had wanted to has provided very different results from your past work (especially in prey 1, 3 and 4), both with your lighting and your composition. It's definitely an interesting evolution. I enjoy the mood, and the lighting is great.
I've noticed that you often use a very distinct choice of greens and purples throughout most of your paintings, usually in contrast to a more saturated color. I do the same, normally with some muted reds and oranges in contrast to usually at least one saturated, warm color somewhere in the painting. I've found myself to dislike using (especially muted) greens and turquise colors, which is a pattern I'm trying to break.
Argh, school is killing my painting. I need to get out of here.
I originally didn't like this image, but I like the way you've put life in the body and a version of lifelessness in the main character. Good stuff mate.
I'd like to show you some awesome nature related work from more or less unknown artists which deserve more attention - this is a must see, you won't regret it!!!
Daily Literature Deviations is a group that is dedicated to bringing literature to the forefront of the deviantArt community. We attempt to accomplish this by daily featuring Literature artists from around the community that deserve the recognition, but are not getting it.
Each day we will feature 5 deviations from the Literature categories in a News Article. In order to support the artists that we feature, we ask that you the news article as well as check out the individual pieces. We understand that each day you may not be able to check out each and every one of the pieces, everyone has their own things going on. We just ask that you make an attempt to help support the growing Literature community.
Daily Literature Deviations is a group that is dedicated to bringing literature to the forefront of the deviantArt community. We attempt to accomplish this by daily featuring Literature artists from around the community that deserve the recognition, but are not getting it.
Each day we will feature 5 deviations from the Literature categories in a News Article. In order to support the artists that we feature, we ask that you the news article as well as check out the individual pieces. We understand that each day you may not be able to check out each and every one of the pieces, everyone has their own things going on. We just ask that you make an attempt to help support the growing Literature community.
I'm a lover of visual impacts. I like brilliant colors and shapes. And I decided to collect a whole stack of deviations that reflect that taste. These pieces showcased below deserve every bit of publicity you can give them. x)P
^Ikue has been a devious member of our community for almost 7 years and in this time he has proven to be nothing short of dedicated and devoted. Whilst volunteering his time over the last 22 months as a Gallery Moderator within the Community Relations Team, Chris has brought the Vector gallery and many vector artists directly into the spotlight. ^Ikue's commitment to the community is evident in everything he touches and you can always find him reaching out to others with an encouraging word. Chris is a natural leader with a vibrant and empathic personality, and is a role model for deviants everywhere. It's ev... Read More
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:iconcheerplz::icontrampolinefunplz::iconcarameldansenplz::icontrampolinefunplz::iconcheerplz:
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"lick me airbears, lick me."- catainia.
I've noticed that you often use a very distinct choice of greens and purples throughout most of your paintings, usually in contrast to a more saturated color. I do the same, normally with some muted reds and oranges in contrast to usually at least one saturated, warm color somewhere in the painting. I've found myself to dislike using (especially muted) greens and turquise colors, which is a pattern I'm trying to break.
Argh, school is killing my painting. I need to get out of here.
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Check out my gallery if you like.
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I'm a magic man. I've got...magic hands.
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If you like the image you see above, it's probably available through TheBluePrintMachine
~theblueprintmachine
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